DreamSupreme
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DreamSupreme / Artist

I Wayan
Pugur

Painting, memory and village life seen through I Wayan Pugur’s generous, many-layered world.

Watch the artist story

Eleven living worlds.

Work, water, animals, ceremony and rest. Open a painting through its image or complete title; press and hold the image to briefly see the whole composition.

A wide blue-grey and green rice landscape filled with workers, buffalo and flowing irrigation channels.
01 / 112020

Harvest and Waterways

Water finds every field. Irrigation lines connect workers, animals and terraces into one continuous rhythm.

Dragon-headed sailing boats and paddlers cross blue water between brilliant rice terraces and tropical plants.
03 / 112001

Dragon Boats and Terraces

Boats cross the terraces. Sails, paddles and water lines turn travel and work into a horizontal score.

Dozens of green and blue frogs gather around a vivid pond beneath a seated central figure and dense foliage.
04 / 112001

Frog Gathering at the Pond

The chorus answers. Frogs repeat like notes around a still centre while water divides the scene in blue.

A crowded village market with people, cattle, baskets and stalls surrounded by pink and blue vegetation.
05 / 112003

Village Market

A market made of gestures. Every exchange has its own tempo; the dark blue ground holds them together.

A vertical village compound where people work among animals and orange ground below a pond and rice terraces.
06 / 112006

Village Compound and Fields

The courtyard works. Tools, animals and carried vessels fill the orange foreground; water opens the distance.

A vivid orange village yard with weaving, vessels, livestock and workers beneath a pond and green terraces.
07 / 112011

Orange Courtyard

Work enters the garden. The compound is a machine of hands and tools, framed by an impossible abundance of leaves.

A towering ceremonial procession with a dragon, shrine, umbrellas and a dense crowd below quiet golden terraces.
08 / 112015

Procession of the Dragon Spirit

A pause above the procession. Four figures rest and eat in the rice while the immense ceremony gathers below them.

Two rust-coloured bulls move through a blue village courtyard busy with people, animals and carried vessels.
09 / 112015

Bulls at the Village Gate

The bulls set the pace. Two warm bodies cross a blue ground as village traffic parts and reforms around them.

A vertical golden harvest landscape with workers, a central shrine and narrow blue waterways.
10 / 112016

Golden Harvest

Gold becomes landscape. Rice, trees and clothing merge into a field of ochre lines interrupted only by water.

A pale green bathing garden with fountains, women in water, butterflies, dancers and layered tropical plants.
11 / 112017

Bathing Garden

Water holds the garden. Fountains and bathers form a quiet centre while butterflies and offerings move around it.

Why this work belongs here.

Why Pugur

Pugur paints a living social landscape: ceremonies, animals, labour, water and rest coexist without being reduced to decoration.

Why DreamSupreme

We keep film, conversation, provenance and the paintings together, so collecting begins with context rather than a detached product image.

Why Arya Dome

Arya Dome extends the chapter into a regenerative place: an archive, meeting point and future setting where art, hospitality and practical learning can meet.

ArtistWayan Pugur
PlaceUbud, Bali
Works11

From studio to shared world

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Original paintings, editorial stories and limited objects remain connected through visible provenance and direct artist context.

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